Issue 3 - spring 2015
EDITORIAL
Retouching: Past and Present
By Ana Bailão
REVIEWS
2nd International Meeting on Retouching of Cultural Heritage
Reviewed by César Porras
Risk Management and Cultural Heritage
Reviewed by Lauri Vaher
Conservation Matters in Wales: Resilient Conservation
Reviewed by Caitlin Southwick
ARTICLES
Pre and post Conservation Diagnostics on a 14th Century Gilded Icon from Taormina, Sicily
By Antonino Cosentino, Corinna L. Kock Dandolo, Angelo Cristaudo, Peter Uhd Jepsen
Evaluation of Stitched Support Methods for the Remedial Conservation of Historical Silk Costumes
By Johanna Nilsson
Conservation of A Highly Degraded Egyptian Limestone Stele
By Reyhane Mirabootalebi
RECH2 - 2nd International Meeting on Retouching of Cultural Heritage
Structuring at the Retouching Step: Study of the Risk, Materials and Techniques
By Gaëlle Pentier
Inpainting a Urania 19th Century Toy Theatre: Problems and Solutions
By Cátia Silva, Leonor Loureiro, Fernando Antunes
Stick it on! Temporary Transfer Papers as Retouching Media for Ceramics Conservation
By Tiago Oliveira
Altarpiece Painting: a View from the Inside
By Mercês Lorena
The convergence of graphic sources in the pictorial production of Francisco Ribalta in Valencia, Spain and Gregorio Vásquez de Arce y Ceballos in Bogotá, Colombia
By Natalia Mejía Murillo, Vicente Guerola Blay
Reintegration of Ceramic Tiles based on their Graphic Sources
by Ignasi Gironés-Sarrió and Vicente Guerola-Blay
Retouching a Monumental Terracotta Sculpture: Meeting The Viewer’s Needs
By Cláudia Falcão, Ricardo Triães, Adriano Machado, Cristina Reis, Sónia Tavares, João Ramos
